(according to Arthur Miller, Henry James, Robert McKee, and Aaron Sorkin) In fiction, characters are not what they say but what they do. Action defines character. Some even say that action = character. Let’s check first what a couple of…
Continue reading For Screenwriters: How to Define Characters
I felt I have a personal connection with Save the Cat since I first read it. This is why: when I was in film school in London – end of the 80s, beginning of the 90s – I used to pay…
Some love them, some hate them. The whole concept of a screenwriting manual is nonsense for many. Some others follow every bit of information like a divine law. I think both are partly right and partly wrong on the Screenwriting…
I’ve attended Robert McKee‘s seminars at least 4 times (if memory serves me) and I’ve enjoyed it thoroughly on every occasion. I was always there with a project under my arm, confronting his ideas with mine, using McKee’s wisdom as…
Continue reading Best Screenwriting Books: McKee’s STORY (1)
Scripts demand causality. One event causes another event and so on. But then, is there room for coincidence? Has chance a role to play? Oh, yes! Basically, one coincidence is acceptable per film. But there are exceptions. There are always…
Continue reading For Screenwriters: Coincidence Vs Causality
