Have you ever seen an actor or actress in a movie, you know instantly that you’ve seen him or her before many times, but can not remember a single time you did?
Those “unknown” actors, who fill the spinal chord of many movies, seem to be fully ignored by audiences and deeply recognised at the same time.
Finally, someone drew his attention to them and did it in a fantastic channel which pays homage to those guys and girls, actors and actresses, who are always there. They never hit the headlines but they are an intricate part of all the filmmaking magic in your life.
Check this:
So now you know.
Let’s watch just one of them. I give you -well, Brandon Hardesty does- Vincent Schiavelli, one of those character actors that you love even if you don’t know it.
“When a great artist lives inside a big man his soul will remain eternal”.
Thanks, Vincent.
And thanks, Brandon and No Small Parts for placing these great artists under the spotlight.
Enric Folch attained a Degree in Journalism at The Universitat Autònoma in Barcelona, Spain. Achieved Overall Distinction in “Art and Technique of Filmmaking” at The London International Film School.
Enric has been a director of TV series and a writer and director of five fiction feature films made for television, like “El Mètode Grönholm” (“The Grönholm Method”, Director), based on the internationally acclaimed play; and the multi-awarded “Tempus Fugit” (Story, Co-Writer and Director), winner of a dozen prizes in international film and TV festivals. A remake of "Tempus Fugit" for theatrical release is being prepared in the UK.
Enric's been a teacher at ESCAC, the renowned Barcelona's film school, for many years. Now he works as an actor's teacher and scriptwriting teacher in different acting and film schools.
In 2018, he was the Director-On-Set of the very successful Amazon documentary Series "All or Nothing: Manchester City".
Parody is an excellent tool for criticism. In another post, this one in particular, I recommended the "Honest Trailers" as a way to analyse movies: by making...
